“Another Brick in The Wall” problematises the notion of a classroom to enable an opening for a continuing discourse on intellectual emancipation. Borrowed from Pink Floyd’s 1979 single, this exhibition also provisionally interrupts the authority of a classroom as a space for the transformative development of an individual in a society – by questioning its crucial role in providing rigorous education, especially the imposed acquisition of a dominant ideological narrative such as nationalism and national identity.
The following list categorized into days and divided into weeks are brief accounts of my twenty-one days fieldwork in Bangkok. This is the first half of my brief accounts, it contains both reflection and observation of my short encounters with various people in the city especially the continuous negotiations with people behind the project who initiated this research. Itâ€™s a research that aims to bring people together from different artistic practices and activism in Bangkok, however, some of us are foreigners from different parts of Asia bringing with us our outsider position in the local realm. Thus, this mix of different people, culture, perspectives – as far as the project initiator is concerned – will hopefully come together in a dialogue and work together horizontally, not only amongst ourselves but also with the public for the upcoming exhibition in August.
To explain the concept of Postmedia in a dictionary form, which Felix Guattari first coined in the 90s, is quite a convenient option. However, there’s a danger that some important details that make up its complexity might impair the significance and meaning behind the concept. From this awareness, I thought of approaching the concept from…
A set of Sashimi/Sushi and a choice of tempura vegetables (deep fried vegetables with tempura crumbs) are the common dishes. Additionally, he serves grilled shellfish, which I usually order. His menu is so very basic that sometimes I wonder if Pepe consciously emulates Neolithic food diet – a pre-agriculture diet of raw fish and grilled edible stuff famous among maritime cultures in Southeast Asia.
That night we were about six people, four of us huddling in the bar counter are between the mid-30s and 40s, while the other two next to the minuscule heater located at the table corner were younger than us.
First Friday of the month of February I reminded Pepe again about my desire to conduct ethnography about him and the space he runs periodically, which he confirmed his approval. While he was preparing the menu for the night I reminded him my intention to articulate their actions and the powerful political aesthetics found in their performativity, which is very important especially nowadays.
The following essay outlines the production of knowledge in watching the periodic animated series of Etele. I laid the outline by visiting the historical background of moving images such as animation. The stepping back in order to move forward, however, emphasizes the importance of producing and production by briefly discussing the unrestrained creative process, which interestingly results to making active consumers who are potential producers of collective knowledge.
Now that the idea had become flesh embodied in the Cinema it now performs its miracle for mankind to liberate them from whatever misery they suffer. This is how the joyful mysteries of the rosary resemble the amazing process of film production and how the magic of cinema affects the lives of mankind.